Cartoon titled, "Professor Faraday, lecturing at the Royal Institution Before H.R.H. Prince Albert, the Prince of Wales, and Prince Alfred." This is a full plate reproduction of a preparatory sketch by Alexander Blaikeley (1816-1903) for his eventual painting of the same scene. Original newsprint page from the Illustrated London News, 1856, 28:177. The scene is of Faraday at the lecture table, delivering his "Christmas lecture," Dec. 27, 1855, the subject being gold and platinum. This was the first of six lectures "On the distinctive properties of the common metals." Seated in the front row, center, are Prince Albert and his sons, the Prince of Wales, age 13, seated to the right of his father, and Prince Alfred, the Duke of Edinburgh, age 10, seated to Albert's left. Faraday presented lectures for children every year around Christmas (a tradition that continues to this day at the Royal Institution).
ID number
FA-PR-0130
Title
Portrait of Rene Descartes (1596-1650)
Abstract
Engraved portrait of French philosopher, mathematician and scientist Descartes. Original stipple engraving by Joseph Collyer (1748-1827). Published by G. Kearsly of London.
ID number
FA-PR-0055
Title
Portrait of Lord Kelvin (1824-1907)
Abstract
Portrait photo of older Lord Kelvin (Sir William Thomson, Baron Kelvin of Largs), the Irish-Scottish mathematical physicist and engineer. Done in profile (with signature). Photograph by J. Russell and Sons. Swan Electric Engraving Co., Ltd.
ID number
FA-PR-0115
Title
Portrait of Pierre Simon, Marquis de Laplace (1749-1827)
Abstract
Engraved portrait of Pierre Simon Laplace, done by Tony Goutiere (1808-1890), after original done by French painter Jean-Claude Naigeon (1753-1832), as drawn by Mlle. Houssaye. The French mathematician and astronomer gave us the Laplacian differential operator in applied mathematics. Paris editor, Gauthier-Villars.
ID number
FA-PR-0085
Title
Portrait of Alexander von Humboldt (1769-1859)
Abstract
Small portrait of German naturalist and explorer Alexander von Humboldt, done by English/American engraver John Sartain (1808-1897), after original portrait done by painter Ferdinand Theodor Hildebrandt (1804-1874). Autograph note in French, signed by Humboldt, 20 Nov 1814, addressee unknown, but recommending the bearer, an "American" mineralogist/geologist, M. de Palacios [?].
ID number
FA-PR-0082
Title
Portrait of Marin Mersenne (1588-1648)
Abstract
Small portrait in rondel of French mathematician and theologian Marin Mersenne. Engraving.
ID number
FA-PR-0092
Title
Portrait of Brook Taylor (1685-1731)
Abstract
Engraved portrait of the English mathematician "Brook Taylor, L.L.D. & R.S.S. 1714," noted for his contribution to the development of calculus. Done by renowned mezzotint engraver Richard Earlom (1743-1822), "From an Original Picture in the Possession of Lady Young," after an unknown artist .
ID number
FA-PR-0113
Title
Portrait of Blaise Pascal (1623-1662)
Abstract
Engraved portrait of French mathematician, physicist, and religious philosopher Pascal, done by Henry Meyer (1782-1847) after a portrait done by French painter Philippe de Champagne [Champaigne] (1602-1674), most notably famous for executing many religious paintings for Marie de Medici and Richelieu. Published by Charles Knight, London.
ID number
FA-PR-0101
Title
Portrait of Johannes Wallis (1616-1703)
Abstract
Original engraved portrait of English mathematician John Wallis by British engraver David Loggan (1634-1692), done in 1678. Wallis is famous for his contributions to algebra and analytical geometry.
ID number
FA-PR-0121
Title
Portrait of Joseph Priestley's son, William
Abstract
Political cartoon entitled, "Monsieur Francois introduces Master Pr***tly to the National Assembly," drawn by James Sayers (1748-1823), depicts Priestley's son William as a puppet before the French National Assembly. Description of cartoon: "Dr. Priestley's son introduced to the National Assembly by Monsieur Francois de Neufchatel, who holds him up by a pair of leading strings, standing in a Tub instead of a Tribune and announcing to the Assembly thro' a Trumpet the good news of an Englishman having become a Citizen of France. The Young Englishman having brought with him a bottle of Phlogiston from Hackney College is administering it in the form of electric sparks to the National Assembly: who are drawn in the form of Asses, Owls, Hogs and Frogs; while the Ancients in the Gallery are applauding with their mouths wide open." [from British Museum, Sayers Collection] Published by Thomas Cornell, June 18, 1792.
ID number
FA-PR-0104
Title
Portrait of Sir Isaac Newton (1642-1727)
Abstract
Original mezzotint portrait of Newton published in 1760, done by James MacArdel (1729-1765), after an original portrait painted in 1726 by English painter Enoch Seeman (1694-1744).
ID number
FA-PR-0095
Title
Portrait of Michael Faraday (1791-1867)
Abstract
Photogravure reproduction of a painted portrait, done by Thomas Phillips (1770-1845) in 1842, of Faraday as a young man. Photographische Gesellschaft, Berlin, ca 1910.
ID number
FA-PR-0064
Title
Dmitry Ivanovich Mendeleyev
Abstract
Sepia tint "collector's card".
ID number
FA-PH-0001
Title
Portrait of Sir Isaac Newton (1642-1727)
Abstract
Inscription reads: "Sir Isaac Newton. when Bachelor of Arts in Trinity College, Cambridge. Engraved by B. Reading from a Head painted by Sir Peter Lily in the Possession of the Right Honorable Lord Viscount Cremorne." The engraving is after a portrait of Newton done by Dutch/English baroque portrait painter Sir Peter Lily [better known as Sir Peter Lely; "lely" is the Dutch word for "lily."] (1618-1680), renowned for his Van Dyke-influenced style.
ID number
FA-PR-0007
Title
Portrait of George Stokes (1819-1903)
Abstract
Reproduction of a stipple and line-engraved portrait of Irish mathematician and physicist Sir George Gabriel Stokes; done by engraver Charles Henry Jeens (1827-1879) whose signature also appears on portrait. Stokes was one of the most influential scientists of the era, was Lucasian Professor of Mathematics at Cambridge University and Secretary of the Royal Society. His most famous work was in the field of fluid mechanics.
ID number
FA-PR-0008
Title
Bronze bust of Robert Millikan by Joseph Portanova
Abstract
Photo by Robert Paz.
ID number
FA-SC-0001
Title
Namazu-e (catfish print)
Abstract
According to Japanese legend, earthquakes were caused by the movements of a monster catfish that lived under the island of Japan. Immediately following the great Ansei earthquake of October 2, 1855, woodblock prints called Namazu-e ("catfish pictures") appeared in Edo (now Tokyo), the most affected area. These imaginative and sometimes brutal depictions served as a unique source of information and reassurance to the local population. In this picture, the god of the Kashima Shrine holds the catfish in check with his sword. Shown above is the shrine with the great rock which was also supposed to hold the catfish down. It was while the god was travelling that the Namazu escaped and wreaked havoc.
ID number
FA-PR-0001
Title
Namazu-e (catfish print)
Abstract
According to Japanese legend, earthquakes were caused by the movements of a monster catfish that lived under the island of Japan. Immediately following the great Ansei earthquake of October 2, 1855, woodblock prints called Namazu-e ("catfish pictures") appeared in Edo (now Tokyo), the most affected area. These imaginative and sometimes brutal depictions served as a unique source of information and reassurance to the local population. Here the people who suffered from the effects of the earthquake are trying to punish two Namazu.
ID number
FA-PR-0002
Title
Namazu-e (catfish print)
Abstract
According to Japanese legend, earthquakes were caused by the movements of a monster catfish that lived under the island of Japan. Immediately following the great Ansei earthquake of October 2, 1855, woodblock prints called Namazu-e ("catfish pictures") appeared in Edo (now Tokyo), the most affected area. These imaginative and sometimes brutal depictions served as a unique source of information and reassurance to the local population. Here the monster Namazu (is lifting up the great stone of the Kashima Shrine by which it has been fixed under the ground for a long time. Carpenters and plasterers are encouraging the monster Namazu so they can make money repairing earthquake damage.
ID number
FA-PR-0003
Title
Namazu-e (catfish print)
Abstract
According to Japanese legend, earthquakes were caused by the movements of a monster catfish that lived under the island of Japan. Immediately following the great Ansei earthquake of October 2, 1855, woodblock prints called Namazu-e ("catfish pictures") appeared in Edo (now Tokyo), the most affected area. These imaginative and sometimes brutal depictions served as a unique source of information and reassurance to the local population. Here people who suffered from the Ansei earthquake are trying to castrate the Namazu so that it can no longer cause earthquakes,
